JOE TURNER’S COME & GONE

JOE TURNER’S COME & GONE

What is the plot, i.e., what happens?

The first scene of the Play Turner’s come and Gone is about the boardinghouse of Seth Holy. Seth and his wife Bertha are watching Bynum in their Kitchen backyard. Seth is complaining about the strange spiritual activities of Bynum. We also get to know about Jeremy, a young man who is also living in the boardinghouse. The play goes on to document the struggles and lives of Americans during the early 20th century. The setting of the play is the Jazz Age period. The heroes are the former slaves who are looking into their recently acquired status of being free at the time of the industrial region of New England. Bertha Holly and Seth Holly is an elderly couple who manages and owns a boarding house.

Through the boarding house backdrop, we learn about other characters in the play such as Zonia Loomis, Herald Loomis, Jeremy Furlow and Rutherford Selig. The only white character in the play is Joe Turner, who does not appear anywhere in the scenes. However, we learn from him in the narrative whereby other characters are in a perpetual fear of him due to his sinister schemes to enslave and capture the blacks with their legal freedom. The narrative and plot of the play are about the interactions among those boarding the house under the constant threat of kidnapping by Joe Turner and his followers.

The main information conveyed is that August Wilson is making a political statement that despite the fact that the blacks had on paper won their freedoms, their reality was that they are still in an oppressive and threatening period as the time before the start of slavery. The older generation characters in this play have experienced slavery first-hand and have to confound with their new liberties granted to them. Some characters take it well in improving their life while other are mentally affected by their experience and hang up to the past and consider their new reality has to have nothing to affect them.

What is the problem/conflict?

The main conflict in this play is racial and discrimination conflict. The author shows that the North is different from the South. There is freedom for people of various colors in a variety of jobs. In some instances, it looks like the south, especially in racial conflict. Jeremy Furlow has to go through severe discrimination also other characters encounter the intolerance of the white people. The play also shows the exploitation. For example, the police take away Jeremy’s money. Also the fact that the Civil War has come to an end does not imply that the threat towards African Americans has ended. There is mistrust between the whites and blacks as perpetuated by Rutherford Selig.

Who is the protagonist?

Loomis is the central protagonist in his journey towards self-control and self -cognition. When Joe Turner captured him, he was separated from his daughter and wife and kept on the chain gang for seven years. He says he is searching for his wife so that he can have a starting point in his new life as a free man.

What does the major dramatic question rose?

The main dramatic question is the need for solving the nostalgic desire in having the Center in Loomis case as a central aspect of the self that the African Americans as represented by Loomis will construct.

Describe the rising action.

In the search for answers as to why there are others who ascribe to the extreme power of the Holy Ghosts, the first challenge is for Loomis is to why God had to be big and bigger than him. He begins to speak in tongues and whirl around the room showing the sign of divine presence. Under the coaching of Bynum, Loomis starts to communicate. Loomis starts to see himself among the risen bones out of the water and walking across the water. He takes up flesh, and his body infuses breath, and he starts to breathe again and walks.

What is the climax?

The climax is when Martha urges Loomis, to take up cleansing through the sacrificial blood of Jesus but instead Loomis goes on to cut his chest so that he can bleed for himself. He rubs the blood on his face and discovers that he can now stand.

What is the answer to the major dramatic question: yes or no?

Loomis through the ritual manages to navigate the passage of chaos to a shore of self-defined territory for the Africans successfully.

What is the denouement?

The tragedy ends not with a chastened or stripped hero. Instead, Loomis is still holding his knife which is a divine metonymy for self-definition, new technology, and creativity towards an unknown future.

Sherry Roberts is the author of this paper. A senior editor at MeldaResearch.Com in best custom research papers if you need a similar paper you can place your order for custom college essay services.



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